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Surrealist Art


Author : Sarane Alexandrian
language : en
Publisher: W W Norton & Company Incorporated
Release Date : 1970


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A study of the surrealist movement which traces its development and examines the work and thoughts of its major artists

The Screen In Surrealist Art And Thought


Author : Haim Finkelstein
language : en
Publisher: Routledge
Release Date : 2017-07-05


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An interrogation of the notion of space in Surrealist theory and philosophy, this study analyzes the manifestations of space in the paintings and writings done in the framework of the Surrealist Movement. Haim Finkelstein introduces the 'screen' as an important spatial paradigm that clarifies and extends the understanding of Surrealism as it unfolds in the 1920s, exploring the screen and layered depth as fundamental structuring principles associated with the representation of the mental space and of the internal processes that eventually came to be linked with the Surrealist concept of psychic automatism. Extending the discussion of the concepts at stake for Surrealist visual art into the context of film, literature and criticism, this study sheds new light on the way 'film thinking' permeates Surrealist thought and aesthetics. In early chapters, Finkelstein looks at the concept of the screen as emblematic of a strand of spatial apprehension that informs the work of young writers in the 1920s, such as Robert Desnos and Louis Aragon. He goes on to explore the way the spatial character of the serial films of Louis Feuillade intimated to the Surrealists a related mode of vision, associated with perception of the mystery and the Marvelous lurking behind the surfaces of quotidian reality. The dialectics informing Surrealist thought with regard to the surfaces of the real (with walls, doors and windows as controlling images), are shown to be at the basis of Andr?reton's notion of the picture as a window. Contrary to the traditional sense of this metaphor, Breton's 'window' is informed by the screen paradigm, with its surface serving as a locus of a dialectics of transparency and opacity, permeability and reflectivity. The main aesthetic and conceptual issues that come up in the consideration of Breton's window metaphor lay the groundwork for an analysis of the work of Giorgio de Chirico, Ren?agritte, Max Ernst, Andr?asson, and Joan Mir?he concluding chapter consi

Surrealism And The Art Of Crime


Author : Jonathan Paul Eburne
language : en
Publisher: Cornell University Press
Release Date : 2008


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Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political.In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including André Breton, Louis Aragon, Aimé Césaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dalí) and lesser-known figures (such as René Crevel, Simone Breton, Leonora Carrington, Benjamin Péret, and Jules Monnerot). For Eburne "the art of crime" denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values.Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.

Surrealist Art


Author : Hirshhorn Museum and Sculpture Garden
language : en
Publisher:
Release Date : 1986


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Surrealist Art


Author : Dawn Ades
language : en
Publisher: Thames & Hudson
Release Date : 1997


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One of the finest and most famous collections of Surrealist art ever assembled now housed at the Art Institute of Chicago is that of Chicago philanthropists Lindy and Edwin A. Bergman. Artists represented include Salvador Dali and Pablo Picasso, among many others. Noted critic and art historian Dawn Ades has written an absorbing account of the Bergman collection. All the 118 works are reproduced in full color. 180 illus. 120 in color.

Surrealist Art


Author : Alix Wood
language : en
Publisher: Gareth Stevens Publishing LLLP
Release Date : 2016-07-15


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It’s fun to draw from your imagination! Surrealist artists, such as Salvador Dali and Max Ernst, created masterpieces of scenes that look real but couldn’t be. Through an introduction to the features of surrealist art and profiles of famous surrealists, readers learn how to spot a painting or other work created in this genre of art. A colorful layout and full-color photographs engage readers with art history and their own creativity as they complete art projects accompanying each artist’s chapter. Including collages, painting, and drawing, each project offers readers clear instructions for the project at hand as well as technique tips they can use in the future.

Surrealist Art And Writing 1919 1939


Author : Jack J. Spector
language : en
Publisher: Cambridge University Press
Release Date : 1999-01-28


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Surrealist Art and Writing, 1919-1939 offers a fresh analysis of Surrealism--of the artists Dalí, Ernst, Masson and Tanguy and the writing of Surrealism's leaders--André Breton, Aragon and Eluard. Spector uses a multidisciplinary approach to examine how the ideas and images of this avant-garde movement grew up in anipathy to middle class values. He situates the concrete products of Surrealist art and writing in their historical context without losing sight of larger theoretical and ideological issues involving psychoanalysis, Marxism and philosophy.