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Stories Of Art And Artists

Author : Diana Secker Tesdell
language : en
Release Date : 2014

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Stories of Art and Artists gathers two centuries of stories from around the world. From Nathaniel Hawthorne's "The Artist of the Beautiful" and Albert Camus's "The Artist at Work" to Bernard Malamud's "Rembrandt's Hat" and Aimee Bender's "The Color Master," the tales collected here range from haunting fables about the power of art to vivid portraits of those who create. Featured art forms include sculpture, pottery, architecture, miniatures, landscapes, portraits, and abstract painting, illumined in brilliant stories by such great writers as Honoré de Balzac, Hermann Hesse, Franz Kafka, Marguerite Yourcenar, John Berger, William Boyd, Doris Lessing, Valerie Martin, Julian Barnes, Orhan Pamuk, and A. S. Byatt. Writers have long been fascinated by the idea of artistic genius, the relationship between portraits and their subjects, the inspirational role of muses, and the effects on artists of ambition, failure, and success. Their dazzling literary evocations of the visual arts-using one art form to reflect on another-make Stories of Art and Artists an irresistible gift for lovers of art of all kinds.

Art And Artists

Author : Emily Fragos
language : en
Publisher: Everyman's Library
Release Date : 2012

Download Art And Artists written by Emily Fragos and has been published by Everyman's Library this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Poetry categories.

A sumptuous collection of illusory verse by poets from various centuries is comprised of pieces inspired by other forms of art, from da Vinci's Mona Lisa to Monet's Water Lilies, in an anthology that includes such entries as John Keat's "Ode on a Grecian Urn" and W. H. Auden's "Musée de Beaux Arts." By the award-winning poet and editor of The Great Cat.

Stories Of Art And Artists

Author : Clara Erskine Clement Waters
language : en
Release Date : 1887

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The Culture Of Possibility

Author : Arlene Goldbard
language : en
Publisher: BookBaby
Release Date : 2013-05-02

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Van Jones said it well: "If we're going to end this fiscal madness and start rebuilding America, we're going to have to get creative! We need a tsunami of music, film, poetry and art. The Culture of Possibility shows us how creativity can take our story back from Corporation Nation, tilting the culture towards justice, equity, and innovation. I urge you to read this book!" We are in the midst of seismic cultural change. In the old paradigm, priorities are shaped by a mechanistic worldview that privileges whatever can be numbered, measured, and weighed; human beings are pressured to adapt to the terms set by their own creations. How we feel, how we connect, how we spend our time, how we make our way and come to know each other—these are all part of the scenery. In the new paradigm, things are given their true value. People care passionately about how they and the things they value are depicted. They revive themselves after a long workday with music or dance, by making something beautiful for themselves or their loved ones, by expressing their deepest feelings in poetry or watching a film that never fails to comfort. In the new paradigm, it is understood that culture prefigures economics and politics; it molds markets; and it expresses and embodies the creativity and resilience that are the human species’ greatest strengths. The bridge between paradigms is being built by artists and others who have learned to deploy artists’ cognitive, imaginative, empathic, and narrative skills. The bridge is made of the stories that the old paradigm can’t hear, the lives that it doesn’t count, the imagined future it can’t encompass. Using first-person stories, drawing on both history and headlines, embracing new knowledge from education, medicine, cognitive science, spirituality, politics, and other realms, The Culture of Possibility shows why, how, and where we can build a bridge to a sustainable future. The Culture of Possibility: Art, Artists & The Future comprises two main sections with a prelude: “Hidden in Plain Sight: Twenty-Eight Reasons to Pursue The Public Interest in Art” features 28 short chapters (most no more than a page or two) exploring emergent knowledge from many realms including commerce, anthropology, social science, medicine, spirituality, cognitive science, art, public policy, and others. Each chapter highlights stories, research, and emerging developments that point to a specific public interest in cultivating empathy, imagination, and community through artistic and cultural creativity. “The World Is Upside Down” examines the culture of Corporation Nation in which human pleasures are channeled into optimal modes of consumption, each purchase triggering the need for more. People’s own cultural heritages have been devalued in favor of a commoditized American culture constructed of an idealized past and a product-placement future. A steady doom-beat tries to keep us feeling less than, lubricating the system with the perpetual hope that our malaise can be cured by the right acquisition. This is juxtaposed with art and other forms of cultural expression: art is the practice of freedom. How art and artists are treated testifies to social well-being. And culture’s latent power to actualize well-being is enormous, because its contains the raw material of self-determination and connection that will allow us to outgrow Corporation Nation. Using first-person stories, drawing on both history and headlines, this section calls for two types of action: greatly enlarging our understanding of art’s public purpose and importance and greatly reducing corporate domination. Although the official story may see the two as unrelated, the relationship is actually close: artists’ skills of social imagination, improvisation, empathy, and resourcefulness are needed to break Corporation Nation’s grip on our collective sense of the possible, overturning the inherited powerlessness that consigns the many to live as subjects of the few.

Life Stories Of Women Artists 1550 800

Author : JuliaK. Dabbs
language : en
Publisher: Routledge
Release Date : 2017-07-05

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The struggles and achievements of forty-six notable women artists of the early modern period, as documented by their contemporaries, are uniquely brought together in this anthology. The life stories presented here are foundational texts for the history of art, but since most are found only in rare volumes and few have been translated into English, until now they have been generally inaccessible to many scholars. Originally published in biographical compendia such as Vasari's Lives of the Artists, the writings included here document not only the lives of relatively well known women artists such as Artemisia Gentileschi and Sofonisba Anguissola, but also those who have languished in obscurity, like Anna Waser and Li Yin. Each life story is preceded by a brief introduction to the artist as well as to her biographer, and the texts themselves are annotated to provide necessary clarification. Beyond their documentary value, these stories provide fascinating insight as to how men commonly characterized women artists as exceptions to their sex, and attempted to explain their presence in the male-dominated realm of art. The introductory chapter to the book explores this intriguing gender dynamic and elucidates some of the strategies and historical context that factored into the composition of these lives. The volume includes an appended index to women artists' life stories in biographical compendia of the period

The Love Lives Of The Artists

Author : Daniel Bullen
language : en
Publisher: Counterpoint Press
Release Date : 2011-11-01

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As the oldest of institutions, marriage seems outdated in modern times, when each individual is encouraged to break with tradition in order to fulfill him- or herself. And so artists like Diego Rivera and Frida Kahlo seem to be paving the way toward a brave, new kind of marriage, where spouses would be allowed—even encouraged—to fulfill different aspects of themselves in outside relationships. Shared creativity, they believed, would transcend their jealousies and compensate their sufferings: through art, they would rise above conventional marital fidelity, and prove a higher fidelity to art and to themselves. The Love Lives of the Artists tells the stories of Rainer Maria Rilke and Lou Andreas-Salomé, Alfred Stieglitz and Georgia O'Keeffe, Jean-Paul Sartre and Simone de Beauvoir, Diego and Frida, and Henry Miller and Anaïs Nin—five couples who approached their relationships with the same rebellious creativity as they practiced in their art. From their early artistic development and their first experiences in love, to their artistic marriages and their affairs—and then to their fights and reconciliations, addictions, nervous breakdowns and continued creativity—The Love Lives of the Artists describes the promise and the price of freedom and creativity in love.

Stories Of Art

Author : James Elkins
language : en
Publisher: Routledge
Release Date : 2013-10-18

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Stories of Art is James Elkins's intimate history of art. Concise and original, this engaging book is an antidote to the behemoth art history textbooks from which we were all taught. As he demonstrates so persuasively, there can never be one story of art. Cultures have their own stories - about themselves, about other cultures - and to hear them all is one way to hear the multiple stories that art tells. But each of us also has our own story of art, a kind of private art history made up of the pieces we have seen, and loved or hated, the effects they had on us, and the connections that might be drawn among them. Elkins opens up the questions that traditional art history usually avoids. What about all the art not produced in Western Europe or in the Europeanized Americas? Is it possible to include Asian art and Indian art in ‘the story?’ What happens when one does? To help us find answers, he uses both Western and non-Western artworks, tables of contents from art histories written in cultures outside the centre of Western European tradition, and strangely wonderful diagrams of how artworks might connect through a single individual. True multiculturalism may be an impossibility, but art lovers can each create a ‘story of art’ that is right for themselves.